Sans Other Aslil 12 is a bold, normal width, monoline, upright, normal x-height font visually similar to 'MN Grissee' by Mantra Naga Studio, 'Obvia' by Typefolio, and 'Egosta' by skillyas studio (names referenced only for comparison).
Keywords: headlines, posters, branding, logotypes, packaging, techno, industrial, futuristic, game ui, retro-digital, display impact, tech styling, distinctiveness, compact density, geometric, squared, rounded corners, ink-trap like, compact.
A heavy, geometric sans with squared outlines and selectively rounded corners, creating a soft-rectangular skeleton. Strokes are consistently thick with tight internal counters, and several joins show notch-like cut-ins that read as ink-trap-inspired detailing. The letterforms favor flat terminals, broad horizontal strokes, and compact apertures, producing a dense, blocky rhythm. Round characters (O, Q, o, 0, 8, 9) are built from squarish bowls rather than true circles, reinforcing a modular, engineered feel.
Best suited to display settings where impact and character matter most—headlines, posters, brand marks, packaging, and attention-grabbing UI labels. The dense construction and tight counters can reduce clarity at very small sizes, but it performs strongly in short phrases and large-scale applications.
The overall tone is assertive and mechanical, with a distinctly digital/constructed personality. Its squared curves and notched joins evoke sci‑fi interfaces, industrial labeling, and retro computer or arcade aesthetics while still feeling contemporary.
The design appears intended to merge a bold display presence with a constructed, techno-industrial voice. The squared geometry and notch-like joins suggest an aim for strong recognizability and a distinctive, engineered texture in branding and interface-oriented typography.
Uppercase forms look sturdy and poster-ready, while the lowercase keeps the same modular logic with boxy bowls and short openings. Numerals follow the same squarish geometry, with especially compact shapes that hold up in tight layouts and on high-contrast backgrounds.