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Free for Commercial Use

Sans Superellipse Otmet 7 is a bold, normal width, monoline, upright, normal x-height font visually similar to 'Hudson NY Pro' by Arkitype and 'Pierce Jameson' by Grezline Studio (names referenced only for comparison).

Keywords: headlines, branding, posters, ui labels, signage, techy, futuristic, friendly, confident, retro-modern, geometric system, modern display, friendly tech, geometric, rounded, squared, compact, high-contrast counters.


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This typeface is built from geometric, rounded-rectangle forms with generously radiused corners and mostly uniform stroke weight. Curves resolve into flattened bowls and squared-off terminals, giving round letters a superellipse feel rather than true circles. The overall rhythm is compact, with sturdy verticals, broad horizontals, and clean joins that keep silhouettes crisp at display sizes. Numerals follow the same squared-round construction, with simplified, blocky shapes and consistent corner treatment.

Well suited for headlines, logos, and brand systems that want a geometric, tech-forward voice with friendly edges. It also works effectively for short UI labels, wayfinding, and product packaging where strong silhouettes and consistent rhythm matter more than long-form reading.

The tone reads modern and technical while staying approachable thanks to the soft corners and even color. Its squared curves and sturdy proportions evoke a retro-futurist, signage-like personality—confident, streamlined, and slightly playful rather than austere.

The design appears intended to translate a rounded-rect geometry into a versatile sans for contemporary display use, balancing a constructed, futuristic structure with softened corners for warmth. Its consistent stroke and corner logic suggest a focus on clarity, reproducibility, and strong presence across sizes.

Diagonal-heavy letters and sharp interior notches add energy and a constructed, modular feel. Counters tend to be fairly tight and rectilinear, which increases impact in headlines but can make dense settings feel compact. The design maintains a consistent corner radius across uppercase, lowercase, and figures, reinforcing a cohesive, system-like aesthetic.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸