Sans Faceted Ohwa 4 is a light, wide, medium contrast, upright, normal x-height font.
Keywords: headlines, logotypes, branding, ui labels, posters, futuristic, tech, minimal, geometric, crisp, modernization, geometric clarity, technical tone, distinctiveness, system design, angular, faceted, arched, monolinear, modular.
This typeface uses predominantly straight strokes with clipped, planar corners, letting arcs read as segmented or chamfered rather than fully round. Stems are slender and clean, with a consistent, mostly monolinear feel and open counters. Curved letters such as C, G, O, and S are constructed from squared-off arcs and short flats, producing a deliberate, engineered rhythm. The lowercase shows simple, single-storey forms and compact joins; terminals are typically blunt, with occasional subtle flares where strokes meet. Numerals follow the same faceted logic, with rounded figures (0, 6, 8, 9) drawn as squared ovals and the 2/3 built from crisp bends.
It is well suited to headlines, short blurbs, and brand marks where the faceted curves can read clearly. The open counters and straightforward lowercase also make it a good option for UI labeling, navigation, and technical product typography, especially in larger sizes. For long-form reading, it will perform best when given generous tracking and line spacing.
The overall tone is modern and technical, with a controlled, architectural sharpness that feels digital and forward-looking. Its restrained detailing and faceted curves suggest precision and efficiency rather than warmth or nostalgia. The wide stance and open shapes give it a confident, airy presence suitable for contemporary interfaces and branded systems.
The design appears intended to translate geometric sans forms into a faceted, planar language, emphasizing crisp construction and a contemporary, engineered aesthetic. By minimizing ornament and turning curves into controlled segments, it aims to feel precise and distinctive while remaining broadly legible in common text and display patterns.
Distinctive silhouettes come from the squared bowls and arched constructions in capitals like D, O, and Q, and the angular diagonals in K, V, W, and Z. Spacing appears comfortable in text, and the uniform stroke behavior keeps mixed-case settings visually coherent, especially at display sizes where the facets are most apparent.