Sans Superellipse Geruj 2 is a very bold, narrow, low contrast, italic, normal x-height font visually similar to 'European Sans Pro' and 'European Soft Pro' by Bülent Yüksel, 'Broadside' by Device, 'Neusa Neu' by Inhouse Type, 'Balbek' by Valentino Vergan, and 'Heading Now' by Zetafonts (names referenced only for comparison).
Keywords: headlines, posters, sports branding, packaging, signage, sporty, urgent, punchy, assertive, modern, space saving, high impact, dynamic emphasis, modern utility, compressed, oblique, blocky, rounded, dense.
A compact, heavy oblique sans with rounded-rectangle construction and softened corners throughout. The strokes are thick and even, with tight counters and a dense, forward-leaning rhythm that keeps lines feeling packed and energetic. Curves read as superelliptical rather than purely circular, while terminals are clean and blunt, giving the alphabet a sturdy, engineered feel. Numerals and capitals carry a strong billboard-like solidity, and the lowercase maintains a straightforward, workmanlike structure that stays cohesive at display sizes.
This font is well-suited to high-impact display settings such as headlines, posters, sports and fitness branding, and promotional graphics where compact width and strong color help maximize presence. It can also work for short UI labels or signage where an emphatic, condensed voice is desired, but the dense counters suggest using it at larger sizes for best clarity.
The overall tone is forceful and kinetic, combining a sporty slant with a no-nonsense, industrial confidence. It feels geared toward impact and momentum—more shout than whisper—while the rounded geometry adds a contemporary, approachable edge.
The design appears intended to deliver maximum impact in limited horizontal space, pairing a consistent oblique stance with rounded-rectangular forms to project speed and strength without feeling sharp or aggressive.
Round letters like O and Q appear squarer than traditional grotesks, and the tight internal spaces make the font look especially bold in longer text lines. The italic angle is consistent and creates a strong directional flow, which can amplify emphasis and urgency in headlines.