Sans Faceted Lymo 9 is a regular weight, wide, monoline, upright, normal x-height font.
Keywords: display, headlines, logos, posters, packaging, techno, industrial, futuristic, gaming, mechanical, systemic geometry, machined feel, interface styling, display impact, octagonal, angular, chamfered, stencil-like, geometric.
A geometric sans built from straight strokes and clipped corners, replacing curves with crisp planar facets. The letterforms show consistent chamfering and octagonal counters (notably in O, Q, 0, 8, 9), giving the design a hard-edged, engineered look. Strokes maintain an even thickness with a clean, high-contrast silhouette, while widths vary by glyph in a way that preserves strong rectangular rhythm in text. Terminals are flat and squared-off, and joins favor sharp angles over rounded transitions, producing tight, graphic shapes that stay clear at display sizes.
Best suited to display typography where the angular facets can be appreciated—headlines, branding marks, product identities, posters, and packaging. It also fits interface-style graphics, titles, and on-screen treatments where a technical, game or sci‑fi flavor is desired. For long-form body copy, it will be most comfortable at larger sizes with generous spacing.
The overall tone is technical and synthetic, with a modern, machined feel reminiscent of sci‑fi interfaces and industrial labeling. Its faceted geometry suggests precision and toughness, leaning more assertive than friendly. In passages, the repeated chamfers create a steady, digital cadence that reads as contemporary and performance-oriented.
The design appears intended to translate a simple sans structure into a faceted, polygonal system that reads like it was cut, milled, or plotted from straight segments. By standardizing chamfers and turning curves into planes, it aims to deliver a bold, modern voice while keeping letterforms structurally familiar and legible.
Distinctive polygonal construction is most apparent in rounded letters and numerals, where counters become multi-sided and the outside corners are uniformly beveled. The lowercase follows the same hard geometry, keeping the style coherent across cases, and the numerals inherit the same octagonal logic for a consistent system look.