Sans Other Ibro 1 is a regular weight, normal width, low contrast, upright, tall x-height font visually similar to 'Croih' by 38-lineart and 'Bassen' by SRS Type (names referenced only for comparison).
Keywords: branding, headlines, posters, packaging, editorial display, techy, futuristic, experimental, graphic, edgy, distinctive, modernize, add texture, signal tech, stand out, segmented, interrupted, stencil-like, modular, crisp.
A clean sans structure is combined with deliberate horizontal interruptions that slice through bowls, stems, and crossbars, creating a distinctive “glitched” stencil-like motif. Curves are smooth and geometric-leaning, with fairly even stroke thickness and crisp terminals. The design maintains consistent rhythm across the alphabet while using the midline cuts to introduce visual texture and motion, especially noticeable in round letters and numerals.
Well suited for branding, headlines, posters, packaging, and editorial display where a modern, tech-forward accent is desired. It can work effectively for UI titles, event graphics, and album/film titles, particularly when you want a clean sans feel with a built-in visual twist. For long body text, it will be most comfortable at sizes where the internal breaks remain clearly resolved.
This typeface feels contemporary and slightly experimental, with a confident, engineered tone. The recurring breaks through strokes add a techno edge that reads as modern and a bit rebellious rather than neutral or purely utilitarian.
The design appears intended to take a straightforward sans foundation and inject a signature visual device—systematic mid-stroke gaps—to increase recognizability. It prioritizes graphic identity and a contemporary “digital” flavor while staying broadly legible in short to medium text settings.
The most defining feature is the consistent horizontal segmentation that runs across many glyphs, including rounded forms and figures, producing a unified system rather than occasional stylistic quirks. The sample text shows the effect remains prominent at larger sizes, giving the face a strong graphic “signature” even in mixed-case reading.