Sans Contrasted Jano 3 is a bold, very wide, high contrast, upright, tall x-height font.
Keywords: headlines, logos, branding, sports, gaming ui, futuristic, technical, assertive, sporty, industrial, futurism, impact, tech branding, speed, display clarity, rounded corners, square bowls, angled terminals, extended, stencil-like.
A geometric sans with extended proportions, compact counters, and a pronounced squared-round construction. Strokes show clear modulation, with thick verticals and thinner horizontal connections, creating a crisp, engineered rhythm. Corners are consistently rounded or chamfered, and many curves resolve into squarish bowls (notably in O, C, D, and 0). Diagonals are sharp and tense in forms like N, V, W, X, and Y, while several letters use streamlined joins and cut-in notches that add a slightly stenciled, segmented feel.
This design performs best at display sizes where its stroke modulation, squared curves, and engineered details remain clear. It suits headlines, brand marks, product branding, esports and sports graphics, and interface titling in tech or sci‑fi themed UI. For dense paragraphs, its wide set and tight counters may feel heavy and space-consuming, but it can work for short bursts of text, labels, and callouts.
The overall tone is modern and tech-forward, reading as fast, mechanical, and performance-oriented. Its broadened stance and sharp diagonals suggest speed and hardware aesthetics, while the softened corners keep it from feeling overly harsh. The texture feels confident and display-driven rather than conversational.
The font appears designed to deliver a futuristic, industrial sans voice with a strong, aerodynamic silhouette and distinctive squared-round geometry. The combination of wide proportions, modulated strokes, and cut-in joins suggests an emphasis on impact, identity, and a machine-made aesthetic.
Uppercase forms are especially wide and logo-like, with simplified, architected shapes (e.g., a triangular A and a squared, rounded O). Numerals follow the same squared-round logic, with 2 and 3 showing open, streamlined curves and 8 built from stacked rounded rectangles. The lowercase keeps the same construction, with single-storey a and g and a boxy, modular feel that stays consistent across the set.