Slab Square Poza 5 is a very bold, narrow, low contrast, upright, normal x-height font visually similar to 'Dharma Slab' by Dharma Type, 'Akkordeon Slab' by Emtype Foundry, 'Giza' by Font Bureau, 'FTY JACKPORT' by The Fontry, and 'Winner' by sportsfonts (names referenced only for comparison).
Keywords: posters, headlines, packaging, signage, logos, western, industrial, authoritative, rugged, sporty, display impact, heritage signage, rugged branding, poster presence, sports flavor, blocky, angular, squared, compact, stencil-like.
A heavy, compact slab serif with blocky construction and squared terminals. Strokes are consistently thick with minimal modulation, and corners are frequently chamfered, creating an octagonal, carved look across rounds and diagonals. Counters are relatively tight, with strong rectangular rhythm in letters like E, F, H, and the numerals. Lowercase keeps a sturdy, upright stance with short extenders and simplified forms, maintaining a uniform, punchy texture in text.
Best suited for short, high-impact settings such as posters, headlines, brand marks, labels, and signage where bold shapes and tight counters remain clear. It can also work for sports or event graphics and Western-themed applications, while extended body text may feel dense due to the weight and compact interior spaces.
The face projects a bold, no-nonsense tone with a distinctly Western and workwear flavor. Its sharp chamfers and dense weight feel utilitarian and tough, suggesting signage, equipment marking, and heritage branding rather than delicate or literary settings. Overall it reads as confident, loud, and impact-driven.
The design appears intended to deliver maximum impact with a squared, slab-driven silhouette and a consistent chamfered geometry that stays legible at display sizes. Its structured, carved aesthetic suggests a goal of evoking heritage signage and rugged industrial branding while keeping a controlled, compact footprint.
The chamfered corners create a consistent faceted motif, especially evident in C/G/O/Q and the numerals, which read like cut metal or routed lettering. Spacing appears tight and the heavy slabs form strong horizontal bands, giving lines of text a solid, poster-like presence.