Sans Superellipse Abgur 5 is a bold, normal width, low contrast, upright, normal x-height font visually similar to 'Belle Sans' by Park Street Studio, 'Core Sans N SC' and 'Core Sans NR' by S-Core, 'LFT Etica' and 'Ronnia' by TypeTogether, and 'Depot New Condensed' by moretype (names referenced only for comparison).
Keywords: headlines, posters, branding, signage, ui labels, confident, modern, friendly, clean, functional, impact, clarity, modernization, approachability, rounded, geometric, compact, sturdy, high-clarity.
This typeface is a heavy, geometric sans with broad, even strokes and softly squared (superellipse-like) curves throughout. Round letters such as C, O, and G feel built from rounded rectangles rather than perfect circles, while terminals are clean and mostly flat, keeping the silhouettes compact and stable. Uppercase forms are wide and solid with straightforward construction; the lowercase maintains a simple, readable skeleton with single-storey a and g and generous counters that stay open at display sizes. Numerals are sturdy and clear, with consistent stroke weight and minimal modulation.
It works especially well for headlines and short bursts of text where its strong weight and rounded geometry can carry visual presence. The clean, open counters and uncomplicated forms also suit branding, packaging, signage, and large UI labels where quick recognition matters more than delicate nuance.
The overall tone is contemporary and dependable, with a friendly softness coming from the rounded geometry. It reads as pragmatic and straightforward rather than decorative, projecting an assertive, no-nonsense voice that still feels approachable.
The font appears intended as a modern, high-impact sans that balances geometric rigor with softened corners for approachability. Its consistent stroke behavior and compact, sturdy shapes suggest a focus on clarity and reliable performance in contemporary display and interface contexts.
The design emphasizes uniformity and clear interior space, producing crisp word shapes in the sample text. Diacritics are not shown, but the dot elements (i/j) appear round and prominent, reinforcing the font’s simple, geometric detailing.