Sans Superellipse Ubbob 14 is a very bold, very narrow, low contrast, upright, normal x-height font visually similar to 'Neumatic Gothic' and 'Neumatic Gothic Round' by Arkitype, 'FF Good' by FontFont, 'Bellfort' by GRIN3 (Nowak), 'Cairoli Classic' by Italiantype, 'Frontage Condensed' by Juri Zaech, 'Havana Sunset' by Set Sail Studios, and 'Cargi' by Studio Principle Type (names referenced only for comparison).
Keywords: posters, headlines, packaging, branding, labels, industrial, rugged, poster, utilitarian, playful, impact, compactness, print texture, retro display, brand voice, condensed, chunky, blunt, rounded, hand-inked.
A condensed, heavy sans with rounded-rectangle construction and softly bulging curves that give counters a squarish, superelliptical feel. Strokes are thick and largely uniform, with subtly irregular edge contours that read like ink spread or stamped printing rather than mechanical perfection. Terminals are blunt and mostly flat, while joins stay compact, producing tight apertures and dense vertical rhythm. The overall texture is dark and punchy, with slightly uneven widths and small idiosyncrasies that keep repeated forms from feeling sterile.
Works best for posters, headlines, and short bursts of copy where a dense, assertive texture is desirable. It fits packaging, labels, and branding systems that want an industrial or stamped look, and it can also add character to signage or merch graphics when set with generous tracking.
The font projects a rugged, workmanlike energy—confident and direct, with a hint of retro display grit. Its narrow, packed forms and inky presence feel suited to bold statements and attention-grabbing headlines, while the mild roughness adds a human, handcrafted edge.
Likely designed to deliver maximum impact in a compact width while keeping forms friendly through rounded-rectangle geometry. The slight roughness and unevenness appear intended to evoke printed, stamped, or hand-inked materials rather than pristine digital neutrality.
Round letters such as O/C/G lean toward squared bowls, and the numerals carry the same condensed, blocky stance for consistent color across mixed text. In running copy the tight spacing and compact apertures create a strong, continuous band of black, which favors short lines and larger sizes over extended reading.