Stencil Ubba 1 is a regular weight, wide, monoline, upright, normal x-height font.
Keywords: headlines, posters, branding, packaging, tech ui, futuristic, industrial, technical, sci‑fi, modular, distinct identity, technical voice, display impact, systematic design, geometric, constructed, segmented, clean, sharp.
A constructed geometric sans with consistent stroke thickness and a segmented, stencil-like build. Many curves are interrupted by narrow horizontal breaks, producing crisp bridges across bowls and terminals. Forms are largely circular and rectilinear with squared-off ends, open counters, and a slightly mechanical rhythm; diagonals (A, K, V, W, X, Y, Z) stay straight and taut while rounded letters (C, G, O, Q) read as near-perfect rings interrupted by precise gaps. Numerals follow the same modular logic, emphasizing clarity through simplified, broken contours.
Best suited to display typography where the stencil segmentation can be read clearly: headlines, posters, title cards, and brand marks in tech, gaming, or industrial contexts. It can also work for short UI labels or product naming where a distinctive, system-like voice is desired, while long passages may feel visually busy due to the repeated breaks.
The repeated midline breaks and engineered geometry give the face a technical, futuristic tone with an industrial edge. It feels designed for systems, instruments, and speculative or high-tech narratives rather than conversational text.
The design appears intended to merge a geometric sans foundation with a repeatable stencil interruption, yielding a modular look that stays consistent across letters and figures. The goal seems to be a recognizably technical identity—clean, constructed, and optimized for impact in larger sizes.
The horizontal segmentation becomes a strong identifying motif in both uppercase and lowercase, creating a distinct stripe that can dominate at small sizes but adds memorable personality in display settings. Spacing appears generous and the overall silhouette stays clean and disciplined, helping the angular letters and circular bowls feel cohesive as a set.