Sans Other Jike 11 is a regular weight, wide, monoline, upright, normal x-height font.
Keywords: headlines, posters, branding, logotypes, packaging, futuristic, techno, industrial, retro sci-fi, utilitarian, tech aesthetic, stencil effect, sci-fi display, graphic impact, stenciled, segmented, geometric, modular, rounded corners.
A geometric sans built from uniform stroke widths with frequent stencil-like breaks and segmented joins. Forms lean on straight verticals and horizontals with softly rounded corners, while bowls and curves are simplified into arcs and cut sections. Counters tend to be open or partially interrupted, producing a modular, constructed rhythm across the alphabet and figures. The overall set reads wide and airy, with ample internal space and consistent, engineered proportions.
Best suited to display use such as headlines, posters, branding, and logotypes where its segmented construction can read as a deliberate visual motif. It works well for technology, gaming, industrial products, and sci‑fi themed communication, and can be effective on packaging or signage when set large with generous tracking. For dense text or small sizes, the intentional breaks may reduce legibility.
The repeated cut-ins and interrupted strokes create a technical, machine-made tone that feels at home in sci‑fi and industrial contexts. Its modular construction and disciplined geometry suggest instrumentation, coding, and engineered systems rather than casual or literary settings. The style also carries a retro-future flavor reminiscent of mid/late-20th-century tech graphics and display titling.
The design appears intended to reinterpret a clean geometric sans through a stencil/segmented system, creating a distinctive, engineered voice. By keeping stroke weight consistent and introducing systematic cut points, it aims to signal modernity and technical precision while remaining bold and graphic.
Letterforms prioritize distinctive silhouettes over continuous readability, especially where breaks occur in common stems and crossbars. The figures and capitals appear particularly strong in large sizes, where the stencil gaps become a defining graphic feature rather than a distraction. Spacing in the sample text looks intentionally open, reinforcing the font’s airy, constructed look.