Slab Rounded Leme 3 is a regular weight, wide, low contrast, italic, normal x-height, monospaced font.
Keywords: code samples, screenwriting, editorial text, packaging, posters, typewriter, editorial, retro, friendly, casual, typewriter revival, softened utility, readable texture, retro warmth, rounded serifs, soft corners, sloped forms, open counters, generous spacing.
This typeface presents a sloped, monospaced rhythm with sturdy slab-like serifs that are noticeably softened at the corners. Strokes stay largely even, with minimal contrast and gently rounded joins that keep the texture smooth rather than sharp. The proportions feel broad and uncompressed, and the spacing reinforces a steady, mechanical cadence in both uppercase and lowercase. Numerals share the same even, structured construction, matching the set’s consistent width and slightly informal, rounded finish.
Its monospaced structure and clear letterforms make it a natural fit for code snippets, terminal-style UI, and other alignment-sensitive text. The softened slabs and sloped stance also work well for editorial pull quotes, book or zine typography, and branding applications that want a typewriter flavor without looking harsh. At larger sizes it can add character to posters, labels, and packaging where a steady rhythm and friendly retro tone are desirable.
The overall tone reads as typewriter-adjacent and retro, but with a warmer, more approachable edge due to the rounded terminals and softened slabs. It balances a utilitarian, editorial clarity with a casual, personable voice that feels suited to readable, characterful text settings.
The design appears intended to merge typewriter discipline and consistent spacing with a softer, more contemporary friendliness. By keeping contrast low and corners rounded, it aims for comfortable readability and an inviting texture while retaining the structured feel of fixed-width typography.
In the sample text, the consistent cell-like spacing creates a predictable color on the page, while the slant and rounded details prevent the texture from feeling rigid. The italic posture is integral to the design rather than an applied slant, giving the forms a deliberate forward motion.