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Free for Commercial Use

Sans Normal Ogja 8 is a bold, wide, low contrast, upright, normal x-height font visually similar to 'Conneqt' by Roman Melikhov, 'Fieldwork' by TipoType, and 'Masny' by Tour De Force (names referenced only for comparison).

Keywords: headlines, posters, branding, signage, packaging, confident, modern, friendly, clean, solid, clarity, impact, modernization, neutrality, accessibility, geometric, rounded, compact, sturdy, high impact.


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A heavy, geometric sans with broad proportions and smooth, near-monoline strokes. Curves are built from clean circular/elliptical forms, giving letters like C, O, Q, and S a rounded, even rhythm, while straight-sided forms (E, F, H, N) stay crisp and steady. Terminals are predominantly flat and squared, counters are open and generous for the weight, and joins are firm with minimal modulation. The lowercase shows a single-storey a and g, plus a simple, straight-shouldered r, reinforcing a contemporary, simplified construction; figures are robust and highly legible with rounded bowls (8) and a clear, open 4.

This font is well suited to headlines, titles, and short blocks of text where strong presence and clear shapes are needed. Its broad, rounded geometry and sturdy numerals make it a good fit for branding systems, packaging, and signage, especially in modern, minimal layouts where a confident sans can anchor the composition.

The overall tone is assertive and contemporary, with a friendly approachability coming from the rounded geometry and open counters. It feels straightforward and dependable rather than delicate or stylized, projecting clarity, stability, and modern neutrality.

The design appears intended as a contemporary, high-impact sans that maximizes clarity and consistency through simple geometric construction. It prioritizes strong silhouettes, open counters, and uncomplicated details to stay readable at large sizes while maintaining a friendly, modern voice.

Spacing and sidebearings appear comfortable for display settings, producing an even texture in the sample text at large sizes. The design favors clarity and punch: large bowls, short ink-traps-free joins, and uncomplicated details keep forms readable and consistent across uppercase, lowercase, and numerals.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸