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Free for Commercial Use

Sans Normal Raduz 6 is a very bold, normal width, monoline, upright, normal x-height font visually similar to 'Aspira' by Durotype, 'Munika' by Gravitype, 'Averta PE' and 'Averta Standard PE' by Intelligent Design, 'Basecoat' by Jonathan Ball, 'Brunches' by Trustha, and 'URW Geometric' by URW Type Foundry (names referenced only for comparison).

Keywords: headlines, posters, packaging, logos, children’s media, playful, friendly, bubbly, approachable, retro, cheerful impact, softened geometry, brand friendliness, display clarity, rounded, soft, chunky, compact, cartoonish.


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A heavy, rounded sans with smoothly inflated strokes and consistently softened corners throughout. Counters tend to be compact and circular, giving letters a dense, cushioned feel, while joins and terminals are blunt and rounded rather than sharply cut. The lowercase shows simple, single-storey constructions (notably a and g) and short, sturdy ascenders/descenders, producing an even, stable rhythm. Numerals follow the same bulbous geometry, with the 0 and 8 reading as rounded, closed forms and the 1 simplified to a straight stem with a small top detail.

This font is well suited to headline and display settings where you want an immediate, friendly punch—such as posters, packaging, product branding, and logo wordmarks. It can also work for short bursts of copy in playful contexts (children’s media, casual signage), but its dense interior spaces make it better for larger text than long small-size reading.

The overall tone is warm and upbeat, with a toy-like, friendly presence that feels informal and welcoming. Its rounded silhouettes and tight counters create a bold, comedic energy that leans toward nostalgic, family-friendly branding.

The design appears intended to deliver maximum visual warmth and impact through rounded, compact letterforms that stay consistent and highly legible at display sizes. Its simplified structures and soft terminals suggest a focus on approachability and fun rather than a technical or formal voice.

Because of the tight apertures and enclosed counters, the face gains strong impact at larger sizes while small sizes may look more compact and dark. The shapes favor smooth curvature over sharp angles, keeping the texture cohesive across caps, lowercase, and figures.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸