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Free for Commercial Use

Stencil Huvy 1 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Dezen Pro', 'Dezen Solid', 'Dezen Stencil 01', 'Dezen Stencil 02', and 'Dezen Stencil 03' by DizajnDesign; 'Gibstone' by Eko Bimantara; and 'Winner Sans' by sportsfonts (names referenced only for comparison).

Keywords: posters, headlines, logos, packaging, signage, industrial, assertive, techy, playful, poster, visual impact, cutout styling, graphic texture, branding, geometric, blocky, rounded, cutout, high-impact.


Free for commercial use
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A heavy, geometric sans with large, rounded counters and broad, even strokes. Each glyph is interrupted by consistent horizontal cut lines that create clear bridges and a segmented, cutout construction. Curves are smooth and circular (notably in C, G, O, and e), while terminals are generally squared-off, producing a sturdy, compact silhouette. Spacing and proportions favor bold, simple shapes with strong figure/ground contrast and highly uniform stroke behavior across the set.

Best suited to display applications where the segmented construction can be appreciated: posters, bold headlines, branding marks, packaging, and short signage. It performs particularly well when used as a graphic accent or statement type, and can be paired with a simpler text face to keep longer passages from feeling visually busy.

The repeated horizontal breaks lend a rugged, engineered tone that reads as industrial and utilitarian, while the rounded forms keep it approachable rather than severe. Overall it feels confident and attention-grabbing, with a subtle retro-mechanical flavor that can also skew tech-forward depending on layout and color.

Designed to deliver maximum impact with a distinctive broken-stroke motif, combining sturdy geometric construction with consistent internal bridges for a manufactured, cutout look. The aim appears to be instant recognizability in display settings while maintaining clean, regular letterforms underneath the stencil-like interruptions.

The cut lines run through both uppercase and lowercase with consistent placement, creating a strong rhythmic stripe across words in text settings. This segmentation increases visual texture and can become a dominant graphic element, especially at larger sizes and in all-caps.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸