Sans Superellipse Holij 10 is a very bold, normal width, low contrast, upright, tall x-height font visually similar to 'Oso Sans' by Adobe, 'Safran' by Hubert Jocham Type, 'JAF Facit' by Just Another Foundry, 'Diaria Sans Pro' by Mint Type, 'Dalle' by Stawix, and 'Fuse' by W Type Foundry (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, signage, friendly, bold, playful, approachable, punchy, impact, friendliness, modern branding, sign clarity, geometric consistency, rounded, soft corners, geometric, compact, heavy.
A heavy, geometric sans with rounded-rectangle construction and softened corners throughout. Curves read as superelliptical rather than circular, giving bowls and counters a squarish, structured feel. Strokes are thick and even, terminals are clean and unornamented, and the overall rhythm is compact with sturdy, blocky silhouettes. Lowercase forms lean toward single‑storey simplicity (notably the a and g), with short apertures and dense counters that emphasize solidity.
Best suited for headlines, posters, and branding where a strong, rounded geometric presence is desirable. It can work for short text bursts—labels, UI callouts, signage, and packaging—especially when clarity at a distance and a friendly tone are important. For long-form reading, it will be most comfortable when set with generous size and spacing.
The overall tone is upbeat and approachable, combining confident weight with friendly rounding. It feels modern and graphic, projecting a straightforward, no-nonsense voice that still reads as warm rather than severe. The squared curves add a slightly retro, sign-like character that keeps the texture lively at display sizes.
The design appears intended to deliver maximum impact with a soft-edged, geometric voice: bold shapes, consistent stroke weight, and superelliptical curves that feel contemporary and brand-ready. Its simplified lowercase and compact counters suggest an emphasis on strong silhouettes and quick recognition in display contexts.
The numerals and capitals share the same squared-round logic, producing consistent, highly graphic shapes. In text, the heavy weight creates strong word images and dark typographic color, making spacing and counters feel tight and intentional for impact rather than delicacy.