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Free for Commercial Use

Serif Flared Tefy 1 is a regular weight, very wide, medium contrast, upright, tall x-height font visually similar to 'Red Oak' by Resistenza (names referenced only for comparison).

Keywords: editorial, book text, magazines, headlines, branding, classic, scholarly, formal, refined, institutional, inscriptional influence, editorial utility, authoritative tone, readable texture, flared terminals, wedge serifs, open counters, bracketed feel, bookish.


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This typeface is a wide, upright serif with medium stroke modulation and distinctly flared stroke endings. Serifs read as wedge-like and subtly calligraphic rather than blunt, with smooth joins that give curves a slightly bracketed, carved quality. Proportions are generous and open, with broad bowls and ample counters; round letters like O and C feel expansive, while diagonals (V, W, Y) stay crisp and stable. The lowercase shows a large x-height and compact ascenders, supporting strong texture at text sizes while keeping a calm, even rhythm.

It performs well for editorial typography—magazines, essays, and book interiors—where a traditional serif texture and clear word shapes are desired. The wide proportions and confident capitals also make it suitable for headlines, display copy, and institutional branding that benefits from a measured, authoritative tone.

The overall tone is classical and editorial, with a quietly authoritative voice. The flared terminals and wedge serifs add a hint of inscriptional heritage, lending the design a cultured, bookish character without becoming ornamental.

The design appears intended to blend classic serif conventions with a subtly inscriptional flare, creating a readable face that feels established and credible while maintaining a distinctive terminal treatment. Its wide set and open forms suggest an emphasis on clarity and presence in both text and larger display sizes.

The set shows consistent flare behavior across capitals, lowercase, and numerals, with terminals that thicken into tapered endings rather than ending in flat cuts. Spacing appears comfortable in the sample text, and the wide letterforms create a roomy, legible line color that suits larger settings especially well.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸