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Free for Commercial Use

Sans Normal Opnus 13 is a bold, wide, medium contrast, upright, tall x-height font visually similar to 'City Boys Soft' by Dharma Type, 'Jam Adega' by JAM Type Design, 'Nirand' by Jipatype, 'JAF Bernini Sans' by Just Another Foundry, 'Dialog' and 'Frutiger Next Paneuropean' by Linotype, 'Skeena' by Microsoft Corporation, and 'Indecise' by Tipo Pèpel (names referenced only for comparison).

Keywords: headlines, posters, branding, signage, ui labels, modern, confident, clean, friendly, utilitarian, clarity, impact, modernity, versatility, approachability, geometric, rounded, compact, sturdy, high-impact.


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A heavy, geometric sans with broad proportions and smoothly rounded curves. Strokes are consistently thick with clean, abrupt terminals and minimal modulation, giving the forms a solid, uniform color on the page. Counters are generous and mostly circular/oval, while joins and diagonals stay crisp and decisive; the uppercase reads stable and architectural, and the lowercase shows a single-storey a and g with a compact, functional rhythm. Numerals are similarly robust, with simple, open shapes and strong vertical emphasis.

Best suited to headlines, large-format messaging, and brand applications where strong presence and quick recognition matter. It also works well for UI labels, navigation, and signage-style layouts that benefit from sturdy letterforms and clear counters.

The overall tone is modern and confident, with a friendly neutrality that feels straightforward rather than expressive. Its dense stroke weight and rounded geometry project clarity and reliability, leaning toward contemporary branding and interface sensibilities.

The design appears intended as a contemporary workhorse sans that prioritizes impact and clarity through geometric construction, uniform stroke weight, and wide, stable proportions. It aims to deliver a clean, approachable voice while remaining practical for prominent display and labeling contexts.

In text, the font produces a dark, even texture with clear word shapes and strong headline presence. The proportions and simplified construction make individual glyphs highly legible at larger sizes, while the weight may feel dominant in long passages unless given ample spacing and line height.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸