Sans Superellipse Omkek 2 is a regular weight, narrow, monoline, upright, short x-height font.
Keywords: ui labels, signage, posters, headlines, packaging, utilitarian, technical, compact, modern, direct, space-saving, legibility, systematic design, modern branding, square-rounded, condensed, clean, sturdy, high-contrast counters.
This typeface is a compact, square-rounded sans with largely uniform stroke thickness and a tall, efficient vertical stance. Curves resolve into soft superellipse-like corners, giving bowls and counters a rounded-rectangle geometry rather than fully circular forms. Terminals are mostly flat and decisive, with minimal modulation and a consistent, engineered rhythm across uppercase and lowercase. The lowercase shows relatively small bodies with tall ascenders, short extenders, and simple constructions (single-storey a, compact e, and a straight, minimal t), while numerals follow the same narrow, blunt-ended logic for tight set widths and clear alignment.
It suits space-conscious settings where clarity and a modern, engineered aesthetic are important, such as UI labels, dashboards, wayfinding, and compact headings. In print, it can work well for posters, packaging, and bold informational typography where narrow widths help fit more text without sacrificing legibility.
The overall tone is pragmatic and contemporary, with a slightly industrial, system-like feel. Its compressed proportions and squared rounding read as efficient and no-nonsense, leaning more toward functional signage and UI communication than expressive or calligraphic texture.
The design intent appears focused on delivering a clean, compact sans optimized for efficient horizontal economy while keeping forms sturdy and highly legible. The squared-round geometry suggests a deliberate, contemporary voice aimed at systematic branding and functional communication.
Round letters like O, C, and G appear more like softened rectangles, and diagonals (V, W, X, Y) are crisp and angular, reinforcing a constructed look. The dot on i/j is small and circular, and punctuation in the sample text maintains the same restrained, utilitarian character. Spacing appears comfortable for a condensed design, keeping lines readable even in dense paragraphs.