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Free for Commercial Use

Sans Superellipse Pynaj 13 is a regular weight, narrow, low contrast, upright, normal x-height font visually similar to 'Astoria Sans' by Alan Meeks, 'Aspira' by Durotype, 'Muller Next' by Fontfabric, 'Fact' by ParaType, and 'Belle Sans' by Park Street Studio (names referenced only for comparison).

Keywords: ui labels, wayfinding, headlines, packaging, branding, clean, utilitarian, modern, neutral, technical, space saving, systematic, clarity, geometric voice, condensed, square-rounded, monoline, crisp, compact.


Free for commercial use
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This typeface uses compact, condensed proportions with monoline strokes and tightly controlled geometry. Curves are built from rounded-rectangle (superellipse-like) forms, producing squared counters in letters like O and D and softly rounded corners throughout. Terminals are generally clean and blunt, with occasional subtle rounding, and the overall rhythm is even and mechanical rather than calligraphic. Lowercase shapes stay straightforward and legible, with open apertures and minimal modulation, while numerals follow the same squared-round construction for a cohesive texture.

It suits space-conscious settings such as UI labels, navigation, dashboards, and short informational text where compact width is useful. The consistent geometry and squared-round curves also make it a strong choice for headlines, product packaging, and contemporary branding systems that want a clean, technical voice.

The overall tone is modern and pragmatic, with a slightly technical flavor driven by its squared-round curves and compact spacing. It reads as calm and neutral rather than expressive, projecting clarity and efficiency over warmth or nostalgia.

The design appears intended to balance neutral sans readability with a distinct geometric signature, using rounded-rectangle construction to stand apart from purely circular geometrics. Its condensed proportions suggest an emphasis on fitting more characters into limited space while keeping letterforms clear and systematic.

Uppercase forms feel tall and space-efficient, and the type’s condensed set width creates a dense, economical line. The squarish rounds and consistent stroke weight give text a steady, engineered texture that remains clear at display and subhead sizes.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸