Sans Superellipse Uklih 2 is a bold, normal width, low contrast, upright, normal x-height font visually similar to 'Hudson NY Pro' by Arkitype, 'Air Corps JNL' by Jeff Levine, 'Gemsbuck Pro' by Studio Fat Cat, and 'Octin College' by Typodermic (names referenced only for comparison).
Keywords: headlines, posters, logos, signage, packaging, industrial, techno, sturdy, sporty, utilitarian, impact, branding, modernity, geometry, rounded corners, square-leaning, condensed caps, blocky, compact.
A heavy, compact sans with square-leaning construction and generously rounded corners throughout. Curves tend to resolve into rounded-rectangle bowls, giving letters like O, D, P, and Q a superellipse feel, while terminals stay blunt and uniform. Uppercase forms read tall and narrow with tightened counters, and the overall rhythm is dense and emphatic. Lowercase mixes compact, single-storey shapes (notably a and g) with simplified joins and minimal modulation, keeping strokes consistently thick. Numerals follow the same rounded-rect geometry, with closed, compact interior spaces and a sturdy baseline presence.
Best suited for headlines and short phrases where its dense, blocky shapes can deliver strong impact. It also fits logos, labels, packaging, and wayfinding/signage systems that benefit from a sturdy, engineered look. In longer passages, the tight counters and compressed uppercase proportions suggest using it at larger sizes or with generous spacing.
The tone is modern and pragmatic, leaning toward industrial and tech-oriented branding. Its compact weight and squared curves suggest machinery, signage, and performance-minded design rather than elegance or warmth. The overall impression is confident and forceful, with a slightly retro-digital flavor.
The design appears intended to translate rounded-rectangle geometry into a strong, contemporary sans for attention-grabbing display work. It prioritizes bold presence and consistent, engineered shapes to create a distinctive, system-like voice across letters and numerals.
Rounded corners soften the otherwise rigid, squared geometry, preventing the font from feeling sharp or aggressive. The tight apertures and compact counters increase impact at display sizes, while the condensed uppercase proportions add a poster and headline character.