Sans Superellipse Ukkub 2 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'ATF Poster Gothic' by ATF Collection, 'New York Line' by Kustomtype, and 'Hurdle' by Umka Type (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, signage, techno, industrial, retro, impact, modularity, tech feel, clarity, blocky, rounded, squared, compact, monoline.
A heavy, monoline sans built from squared, superellipse-like shapes with generously rounded corners. Curves resolve into rounded-rectangle bowls (as in O/0 and o), while terminals are mostly blunt and flat, creating a strong, compact silhouette. Counters are squarish and relatively tight, and several forms use small notches or cut-ins (notably in C/S and the bowl transitions), reinforcing a constructed, modular feel. The lowercase is sturdy and utilitarian with simple joins and minimal curvature, and figures are similarly geometric with clear, blocky outlines.
Best suited to short, high-impact text such as headlines, poster titles, product marks, packaging callouts, and bold UI or game/interface accents. It can also work for signage and labels where a geometric, high-contrast-in-size look is desired, while longer passages may benefit from larger sizes and increased tracking due to the compact counters.
The overall tone feels engineered and mechanical—confident, punchy, and slightly retro-futuristic. Its squared curves and cut-in details evoke digital interfaces, arcade-era display typography, and industrial labeling, projecting a no-nonsense, high-impact voice.
The font appears intended as a bold display sans that blends rounded-rectangle geometry with industrial sturdiness for immediate recognition. Its constructed shapes and consistent radii suggest a goal of creating a modern, tech-leaning voice while retaining a retro, modular flavor.
Round characters stay distinctly squarish rather than circular, which keeps texture even across lines and prevents soft, bubbly impressions. The design maintains consistent corner radii and stroke weight, giving it a cohesive, system-like rhythm that reads best when set with some breathing room.