Sans Faceted Akvu 2 is a very bold, normal width, medium contrast, upright, normal x-height font visually similar to 'ATF Poster Gothic' by ATF Collection, 'Hanley Pro' by District 62 Studio, 'Cartella NF' by Nick's Fonts, and 'Revx Neue' and 'Revx Neue Rounded' by OneSevenPointFive (names referenced only for comparison).
Keywords: headlines, posters, logos, gaming ui, sports branding, industrial, techno, armored, arcade, impact, geometric styling, industrial feel, system display, angular, chamfered, octagonal, stencil-like, blocky.
A heavy, angular display sans built from straight strokes and chamfered corners, replacing curves with crisp planar facets. Counters and apertures tend toward octagonal or rectangular forms, giving letters a machined, cut-metal feel. Stroke endings are sharply clipped and consistent, producing a tight, rigid rhythm in text. Uppercase forms are especially geometric and boxy, while the lowercase maintains the same faceted construction with simplified, sturdy silhouettes and compact internal spaces.
Best suited for headlines, titles, and short bursts of copy where the faceted texture can be a feature. It works well for logos, esports or sports branding, packaging, signage, and interface graphics that benefit from a rugged, technical voice. For longer text, it will be most effective at larger sizes where its tight counters and sharp corners remain clear.
The font conveys a hard-edged, engineered tone—confident, utilitarian, and slightly aggressive. Its faceted construction suggests sci‑fi interfaces, industrial labeling, and game-like UI aesthetics rather than soft or humanist warmth.
The letterforms appear designed to translate geometric, cut-corner construction into an assertive display voice, prioritizing impact and a cohesive industrial texture over traditional curve-based readability. The consistent chamfers and squared counters suggest an intention to feel manufactured and system-like across capitals, lowercase, and numerals.
The design’s repeated corner cuts create a distinctive texture at both headline and paragraph sizes, with a strong emphasis on straight verticals and horizontals. Numerals echo the same octagonal logic, reading like segmented, fabricated components rather than handwritten figures.