Sans Superellipse Onmoy 6 is a regular weight, wide, low contrast, upright, normal x-height font visually similar to 'Kabyta' by Agny Hasya Studio and 'Government Issue JNL' by Jeff Levine (names referenced only for comparison).
Keywords: ui design, app interfaces, tech branding, product labels, signage, tech, futuristic, clean, efficient, industrial, modernization, ui clarity, geometric system, distinctive silhouette, tech tone, squared, rounded, geometric, modular, streamlined.
A geometric sans built from rounded-rectangle and superellipse-like curves, pairing straight stems with generously radiused corners. The drawing is monolinear with low contrast, and the forms emphasize squared counters and softened terminals rather than circular bowls. Curves meet stems with crisp, engineered transitions, producing a modular rhythm; diagonals (as in A, V, W, X) are clean and stable, while numerals and round letters favor squarish, rounded shapes. Overall spacing reads open and even, supporting a tidy texture in both caps and lowercase.
This font suits interface typography, dashboards, and digital product experiences where a crisp, modern voice is needed. It also works well for technology branding, packaging, and wayfinding/signage that benefits from squared, rounded forms and a clean, contemporary texture.
The tone feels contemporary and technical, with a sleek, device-like precision. Rounded corners keep it approachable, but the squared geometry and modular construction lean strongly toward a futuristic, engineered aesthetic.
The design appears intended to deliver a modern geometric sans with a distinctive superellipse signature—combining the efficiency of squared construction with softened corners for a friendly, forward-looking feel. It prioritizes a consistent modular system and clear silhouettes for contemporary display and interface use.
Distinctive superellipse rounding appears consistently across bowls and counters, creating a coherent ‘soft-square’ silhouette in letters like O, C, D, and in figures such as 0, 8, and 9. The lowercase shows a modern, simplified construction with minimal calligraphic influence, reinforcing the font’s systematic, UI-friendly character.