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Sans Superellipse Onnef 7 is a regular weight, normal width, low contrast, upright, normal x-height font visually similar to 'Forza' by Hoefler & Co. and 'Gemsbuck Pro' by Studio Fat Cat (names referenced only for comparison).

Keywords: ui labels, headlines, posters, branding, wayfinding, tech, futuristic, industrial, clean, utilitarian, modernize, differentiate, clarify, systematize, rounded corners, squared curves, stencil-like cuts, monoline, geometric.


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A geometric sans built from rounded-rectangle and superellipse forms, with monoline strokes and softly radiused corners throughout. Curves resolve into squared-off terminals, and many joins show subtle, intentional cut-ins that create small ink-traps or stencil-like separations. Counters tend toward rectangular/oval shapes (notably in O/0 and D), while diagonals in A, K, V, W, X, and Y are straight and crisp, keeping the overall texture compact and engineered. The lowercase follows the same squared-curved logic, with single-storey a and g, a simple straight-shouldered r, and a tight, minimal i/j treatment.

Best suited to interface labels, product and tech branding, and editorial headlines where a contemporary geometric voice is desired. Its squared-rounded construction and distinctive cut-in details also work well for posters and signage, especially at medium to large sizes where the shapes and counters stay clear.

The overall tone is modern and technical, with a controlled, machined feel that reads as digital and forward-looking rather than humanist. The rounded corners soften the geometry, but the squared curves and cut-in details keep it assertive and utilitarian.

The design appears intended to deliver a futuristic geometric sans with softened corners for friendliness, while using squared curves and subtle ink-trap/stencil cues to maintain clarity and a manufactured, technical identity.

Figures are geometric and display-oriented: 0 is a rounded rectangle, 1 is a simple vertical with minimal shaping, and several numerals use flat segments and sharp corners moderated by radius. The design’s small cut-ins and squared curves add character at larger sizes while remaining coherent as a system across caps, lowercase, and numerals.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸