Sans Superellipse Feman 2 is a very bold, narrow, low contrast, italic, normal x-height font visually similar to 'AG Book W1G' by Berthold, 'Swiss 721' by Bitstream, 'Newhouse DT' by DTP Types, 'Helen Bg' by HS Fonts, 'Latino Gothic' by Latinotype, and 'CG Triumvirate' by Monotype (names referenced only for comparison).
Keywords: headlines, posters, sports branding, promotions, packaging, sporty, urgent, assertive, energetic, modern, impact, speed, space saving, modern branding, display emphasis, oblique, condensed, blocky, rounded, punchy.
A heavy, oblique sans with compact proportions and tightly contained counters. Curves are built from rounded-rectangle geometry, giving bowls and apertures a squarish, superelliptical feel rather than purely circular forms. Strokes stay broadly uniform, with blunt terminals and minimal modulation, and the overall silhouette reads dense and punchy. The lowercase shows a straightforward, utilitarian construction with simple shoulders and compact openings, while numerals follow the same sturdy, compressed rhythm for consistent color in display settings.
Best suited to headlines, posters, and campaign copy where maximum impact and compact fitting are needed. It also works well for sports and performance-oriented branding, promotional graphics, and bold packaging callouts where the oblique stance adds motion and urgency.
The tone is forceful and energetic, with an athletic slant that suggests speed and forward motion. Its dense shapes and tight spacing create an urgent, high-impact voice suited to attention-grabbing messaging rather than subtle text color.
The design appears intended to deliver strong, space-efficient emphasis with a fast, contemporary feel. Its rounded-rectangle construction and blunt, even strokes prioritize legibility at display sizes while maintaining a distinctive, tightly packed texture.
The oblique angle is strong and consistent across caps, lowercase, and figures, helping long lines feel dynamic. Round letters (like O/C) maintain a squared-off curvature that keeps the texture uniform, while diagonals (V/W/X/Y) amplify the sense of momentum.