Sans Superellipse Omduw 3 is a regular weight, normal width, monoline, upright, normal x-height font visually similar to 'Pierce Jameson' by Grezline Studio, 'Nulato' by Stefan Stoychev, and 'Gemsbuck Pro' by Studio Fat Cat (names referenced only for comparison).
Keywords: ui text, app design, wayfinding, dashboards, product branding, modern, utilitarian, technical, friendly, clean, clarity, systematic design, modernization, distinctive geometry, rounded corners, compact, boxy, soft geometry, high legibility.
This typeface is a geometric sans built from squared-off curves: many round forms read as rounded rectangles rather than pure circles. Strokes stay even and steady, with tight, controlled curves and consistently softened corners across the set. Proportions feel compact and efficient, with broad, stable capitals and neatly sized lowercase; counters are generally open but shaped by the squarish construction, producing a crisp, engineered rhythm. Figures follow the same logic, with sturdy, highly structured forms and clear differentiation.
It suits user interfaces and digital product environments where a clean, structured voice and quick character recognition are important. The compact, rounded-rect geometry also works well for signage, labeling, dashboards, and contemporary brand systems that want a modern, engineered look without harshness.
The overall tone is contemporary and pragmatic, balancing a technical, system-like feel with approachable softness from the rounded corners. It suggests clarity and order, with a mildly futuristic edge that remains friendly rather than sterile.
The design appears intended to deliver a highly consistent, geometric sans for modern communication—prioritizing clarity, regularity, and a distinctive rounded-rectangle construction that stands out in headings while staying composed in text.
The design’s signature is its superellipse-like geometry: bowls and curves appear slightly flattened, giving letters a subtle “squircle” silhouette. This creates a consistent texture in text, especially in rounded letters and in the way terminals and joins resolve into smooth, squared curves.