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Sans Superellipse Gibik 2 is a very bold, normal width, monoline, upright, normal x-height font visually similar to 'Chamelton' by Alex Khoroshok, 'Magnitudes' by DuoType, 'Mono Spec' by Halbfett, 'Conthey' by ROHH, 'Predige Rounded' by Type Dynamic, 'Yoshida Sans' and 'Yoshida Soft' by TypeUnion, and 'Gineso Titling' by insigne (names referenced only for comparison).

Keywords: headlines, posters, packaging, logos, signage, friendly, punchy, retro, playful, sturdy, impact, approachability, geometric clarity, branding, rounded, soft corners, compact, blocky, high contrast (ink-to-cw.


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A heavy, rounded sans with superellipse-style curves and softened corners throughout. Strokes are consistently thick with minimal contrast, producing dense, compact letterforms and a strong typographic color on the page. Counters tend to be tight and geometric (notably in O, P, R, a, e), while terminals are blunt and rounded rather than tapered. The overall construction favors simple, squared-off geometry—arches, bowls, and shoulders read as rounded rectangles—creating a stable rhythm and clear silhouette in both uppercase and lowercase.

Best suited to display roles where strong presence is needed—headlines, posters, brand marks, packaging, and bold signage. It can also work for short UI labels or badges where a friendly but assertive voice is desired, though the tight counters suggest avoiding long body text at small sizes.

The tone is bold and approachable: friendly curves paired with a no-nonsense weight make it feel confident, slightly retro, and headline-forward. Its rounded geometry softens the impact, giving it a playful, inviting presence without becoming casual script-like.

Likely designed to deliver maximum impact with a soft-edged, geometric voice: a rounded, contemporary display sans that stays legible through simple construction and consistent stroke weight while projecting warmth and solidity.

Distinctive details include a single-storey “a,” a compact “e” with a small internal aperture, and sturdy, simplified forms that prioritize shape clarity over delicate interior space. Numerals share the same chunky, rounded construction, reading especially strong at larger sizes and in short strings.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸