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Free for Commercial Use

Sans Superellipse Gidus 2 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Nomenclatur' by Aronetiv, 'Hanley Pro' by District 62 Studio, 'Aspira' by Durotype, 'Panton' by Fontfabric, 'Branding SF' by Latinotype, 'PTL Notes Soft' by Primetype, 'Lintel' by The Northern Block, and 'Ranelte' by insigne (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, signage, friendly, confident, playful, modern, approachable, impact, approachability, modernity, legibility, rounded, soft, chunky, geometric, compact.


Free for commercial use
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A heavy, rounded sans with a superelliptical construction: bowls and counters read as softened rectangles, and terminals are broadly curved rather than sharply cut. Strokes are monolinear and dense, with generous curvature at joins that keeps the texture smooth even at large sizes. The lowercase shows single-storey forms and simple, sturdy shapes; counters stay open but compact, emphasizing a solid, blocky silhouette. Numerals follow the same soft geometry, with round figures built from squarish ovals and a straight, pillar-like “1,” creating a consistent, poster-friendly rhythm.

Best suited to display typography such as headlines, posters, logo wordmarks, packaging, and attention-grabbing UI moments where a bold, friendly presence is desired. It also works well for short labels and signage, where its rounded geometry stays legible and visually consistent at a distance.

The overall tone is upbeat and welcoming, projecting clarity and confidence without feeling severe. Its rounded, cushioned shapes give it a contemporary, friendly voice that can read as playful or “tech-casual” depending on color and layout.

The type appears designed to deliver maximum impact with a soft, contemporary feel—combining strong, compact letterforms with rounded superelliptical shaping for a modern, approachable display voice.

The design leans on broad curves and flattened rounds, producing a distinctly squarish circularity in letters like O/C/G and in the digit set. The bold weight and compact counters create strong word shapes that are highly visible, especially in headline settings.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸