Sans Superellipse Esleh 5 is a bold, normal width, low contrast, italic, normal x-height font visually similar to 'Bari Sans' by JCFonts, 'Metron' by Storm Type Foundry, and 'Metral' by The Northern Block (names referenced only for comparison).
Keywords: headlines, sports branding, gaming ui, posters, tech packaging, techy, sporty, futuristic, assertive, dynamic, impact, speed, modernity, precision, signage, rounded corners, chamfered, oblique, geometric, compact counters.
A heavy, oblique sans with a geometric construction built from rounded-rectangle and superellipse-like curves. Corners are softened with consistent rounding and occasional chamfer-like cuts, giving strokes a machined, angular feel without sharp terminals. Forms are wide and stable with compact interior counters (notably in C, G, S, and e), and many joins are clean and monolinear, producing an even color in text. Numerals follow the same squared-round logic, with the 0 and 8 showing rounded rectangular bowls and the 2/3 using flattened curves and crisp terminals.
Best suited to display work where its squared-round geometry and oblique stance can carry a strong voice—headlines, branding, team or motorsport-style graphics, gaming/tech UI accents, and packaging. It can work for short bursts of text (taglines, calls-to-action), but its dense counters and heavy rhythm favor larger sizes and higher contrast settings.
The overall tone reads modern and performance-oriented—more industrial and technical than friendly. The forward slant and squared-round geometry suggest speed, precision, and a contemporary digital aesthetic, with a confident, high-impact presence.
The design appears intended to merge geometric, superelliptical roundness with a purposeful, engineered edge, creating a contemporary sans that feels fast and robust. Its consistent corner treatment and oblique posture aim to deliver recognizability and impact in modern, technology-leaning contexts.
Uppercase shapes lean toward simplified, signage-like silhouettes, while the lowercase keeps a sturdy, utilitarian rhythm; together they create a distinctive, slightly condensed texture in running lines. The italic angle is consistent across letters and figures, reinforcing a cohesive motion and helping headlines feel active and directional.