Sans Other Isbay 13 is a regular weight, normal width, low contrast, upright, normal x-height font visually similar to 'JollyGood Proper' and 'JollyGood Sans' by Letradora (names referenced only for comparison).
Keywords: headlines, packaging, posters, branding, children’s media, playful, quirky, friendly, handmade, informal, approachability, handmade feel, playful display, casual branding, rounded, soft corners, wobbly, chunky, open counters.
A rounded, low-contrast sans with gently irregular geometry and a subtly wobbly baseline rhythm. Strokes are broadly uniform and end in softened, slightly flared terminals that give many forms a cut-paper or hand-shaped feel. Bowls and counters tend toward circular/oval shapes, while verticals and diagonals show small, intentional inconsistencies that keep the texture lively. Lowercase forms are simple and sturdy with single-storey constructions (notably a and g), and the numerals share the same soft, slightly off-kilter modeling for a cohesive set.
Best suited to short to medium-length settings where personality is desirable: headlines, packaging, poster copy, and brand marks for casual or playful products. It can also work for children’s materials and friendly UI accents when used sparingly, especially at larger sizes where its handmade texture can be appreciated.
The overall tone is upbeat and approachable, with a casual, crafty personality. Its mild quirks read as human and humorous rather than sloppy, making text feel conversational and warm. The bouncy rhythm and rounded silhouettes add a lighthearted, kid-friendly energy without becoming overly decorative.
Likely designed to provide a familiar sans foundation with a deliberately human, handcrafted twist. The goal appears to be an approachable display voice that maintains straightforward letter construction while adding warmth through rounded terminals, subtle irregularity, and a buoyant typographic rhythm.
Spacing appears comfortably open and the shapes stay readable at display sizes, while the irregularities become more noticeable as size increases. The font’s distinctive character comes from consistent terminal shaping and small deviations in stroke alignment rather than extreme distortion.