Sans Superellipse Kule 6 is a bold, very wide, low contrast, upright, normal x-height font visually similar to 'PT Winkell Pro' by Paavola Type Studio (names referenced only for comparison).
Keywords: headlines, logos, posters, packaging, ui labels, futuristic, tech, industrial, sporty, arcade, tech aesthetic, display impact, systematic geometry, brand voice, rounded corners, squared curves, modular, geometric, extended width.
A geometric sans with a strongly squared, superelliptical construction: bowls and counters are built from rounded rectangles, and terminals typically end in softened right angles rather than true curves. Strokes are monoline and heavy, with generous internal counters that keep forms open despite the weight. Proportions are notably extended, giving the alphabet a stretched, horizontal stance, while overall spacing stays clean and even for display use. Details like the clipped joins and chamfer-like corner rounding create a consistent, engineered rhythm across letters and numerals.
Best suited to short-to-medium display settings where the extended proportions can be a feature: headlines, wordmarks, posters, and packaging. It also fits interface-style labels, dashboards, and on-screen graphics where a geometric, engineered tone is desired and ample horizontal space is available.
The font reads as futuristic and equipment-like, evoking interface labeling, sci‑fi titling, and motorsport or product branding. Its wide stance and squared curves add a confident, tech-forward tone with a hint of retro arcade styling.
The design appears intended to deliver a cohesive techno-geometric voice through superelliptical forms, prioritizing strong silhouette recognition and a consistent modular system. Its wide proportions and rounded-rectangle anatomy suggest an emphasis on contemporary display impact and branding character over compact text economy.
Round letters (such as O/C/G/Q) stay closer to rounded rectangles than circles, reinforcing a modular, manufactured feel. The lowercase mirrors the uppercase geometry closely, and the numerals follow the same rounded-corner logic, helping mixed-case and alphanumeric settings look uniform in signage-like compositions.