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Free for Commercial Use

Serif Humanist Abna 3 is a regular weight, normal width, high contrast, upright, short x-height font.

Keywords: book text, editorial, magazines, literary, academic, classic, scholarly, refined, warm, readability, tradition, editorial tone, classic refinement, bracketed, calligraphic, old-style, wedge serifs, diagonal stress.


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This typeface presents an old-style serif structure with clear calligraphic influence and pronounced thick–thin modulation. Serifs are bracketed and often wedge-like, with slightly tapered terminals that keep the joins lively rather than mechanical. Round letters show a subtle diagonal stress, and curves transition into stems with smooth, organic shaping. Proportions feel traditional, with relatively compact lowercase and modest ascenders/descenders, while capitals have steady presence and classical balance. The numerals share the same contrast and serif treatment, blending comfortably with text and display settings.

It is well suited to long-form reading such as book interiors, essays, and editorial layouts where a traditional serif voice is desired. It also performs well for magazine headings, pull quotes, and institutional materials that benefit from a classic, credible tone. The contrast and crisp serifs can add refinement to covers and title pages when set larger.

The overall tone is cultured and traditional, evoking book typography and editorial seriousness without feeling cold. Its warm modulation and gently shaped serifs add a human, literary character that reads as established and trustworthy. In larger settings it can feel quietly elegant, suitable for institutions and heritage-oriented design.

The design intent appears to be a contemporary take on a classic old-style text face: readable and structured for paragraphs, yet expressive enough in its modulation and terminals to carry an editorial or literary personality in display use.

Spacing appears moderate and even, supporting continuous reading, while the sharper entry/exit strokes add sparkle at headline sizes. The lowercase shows a conventional rhythm with clear differentiation between similar shapes, and the capitals maintain a dignified, classical silhouette.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸