Sans Superellipse Domoh 8 is a bold, very narrow, low contrast, upright, normal x-height font visually similar to 'ATF Alternate Gothic' by ATF Collection, 'Akzidenz-Grotesk' and 'Akzidenz-Grotesk W1G' by Berthold, and 'Gemsbuck Pro' by Studio Fat Cat (names referenced only for comparison).
Keywords: headlines, posters, signage, packaging, branding, industrial, condensed, utilitarian, modern, authoritative, space saving, high impact, systematic, clarity, squared-rounded, monoline, compact, blocky, tall.
A tall, tightly condensed sans with monoline strokes and squared-round (superelliptical) curves. Counters are compact and mostly rectangular-oval, with corners softly rounded rather than sharply geometric. Terminals are predominantly flat, giving the letters a clean, engineered finish, while bowls and shoulders stay controlled and upright. Spacing is economical and the overall rhythm is vertical and compressed, with sturdy joins and minimal modulation that keeps shapes consistent across the set.
Best suited to headlines and short blocks of text where vertical compactness and strong presence are useful, such as posters, signage, packaging panels, and brand lockups. It also works well for labels, navigation, and informational graphics that benefit from a condensed, high-impact sans.
The tone feels industrial and no-nonsense, with a confident, slightly severe presence. Its condensed stance and squared-rounded geometry suggest practicality and efficiency, evoking contemporary wayfinding, packaging, or equipment labeling rather than expressive handwriting or classic editorial warmth.
The design appears intended to deliver a space-saving, high-visibility sans with a consistent squared-rounded geometry. Its controlled shapes and flat terminals prioritize clarity and a standardized, contemporary look across letters and figures.
Round letters like O and Q read as rounded rectangles, reinforcing the superellipse theme; curves rarely become fully circular. The lowercase maintains a straightforward, compact construction with simple apertures and minimal flourish, and the numerals share the same tall, blocky proportions for a cohesive system.