Sans Superellipse Olnuw 9 is a bold, very narrow, monoline, upright, normal x-height font visually similar to 'ATF Alternate Gothic' by ATF Collection, 'Cairoli Now' by Italiantype, 'Athletic Pro' by Mandarin, 'Entropia' by Slava Antipov, and 'Heading Now' by Zetafonts (names referenced only for comparison).
Keywords: headlines, posters, signage, labels, packaging, industrial, condensed, utilitarian, modern, assertive, space saving, high impact, functional clarity, systematic design, sturdy, compact, blocky, rounded corners, high contrast apertures.
This typeface is built from tall, compact letterforms with a tight overall footprint and strongly simplified geometry. Strokes stay largely even and firm, with rounded-rectangle curves that keep bowls and counters smooth rather than circular. Terminals are mostly squared with subtly softened corners, and interior spaces are narrow, giving the face a dense, columnar rhythm. Curves and diagonals are controlled and minimal, prioritizing clean silhouettes and consistent vertical stress across letters and numerals.
It performs best where a strong, compact sans is needed: headlines, posters, and space-constrained layouts such as labels, packaging, and UI titles. The dense texture and tall proportions also suit directional or informational signage and branding systems that need a consistent, engineered look at display sizes.
The overall tone is direct and no-nonsense, with an industrial clarity that feels engineered rather than expressive. Its condensed stance and sturdy shapes create an assertive, space-efficient voice suited to functional messaging. The rounded corners keep it from feeling harsh, adding a restrained friendliness without sacrificing impact.
The design intent appears focused on delivering maximum presence in minimal horizontal space, using simplified, rounded-rectangular construction to keep forms stable and consistent. It aims for a pragmatic, contemporary voice that stays legible and impactful in short bursts and tight settings.
Spacing and proportions emphasize verticality, with narrow counters and small apertures that can read quite dark in running text but remain crisp in short lines. Numerals and uppercase forms present a uniform, signage-like steadiness, while the lowercase maintains the same compact, constructed logic.