Sans Superellipse Agrif 3 is a very bold, very narrow, low contrast, upright, tall x-height font visually similar to 'Rama Gothic Rounded' by Dharma Type, 'Cheap Pine' by HVD Fonts, 'Tungsten' by Hoefler & Co., 'Adelanto JNL' and 'Morning Edition JNL' by Jeff Levine, 'Helvetica' by Linotype, 'Parkson' by Rook Supply, and 'Agharti' by That That Creative (names referenced only for comparison).
Keywords: headlines, posters, branding, signage, packaging, industrial, condensed, modern, authoritative, athletic, space-saving impact, display emphasis, modern utility, signage clarity, compact, squared, rounded corners, monoline, punchy.
A condensed, heavy sans with monoline strokes and a compact horizontal footprint. Curves are built from rounded-rectangle geometry, giving bowls and counters a squared-off softness rather than true circular forms. Terminals are mostly flat with subtly rounded corners, and joins are tight and clean, producing a sturdy, uniform texture. The lowercase shows a tall x-height with short ascenders/descenders, and the figures match the same narrow, vertical rhythm for a consistent, dense set.
Best suited to short, high-impact settings such as headlines, posters, logotypes, packaging callouts, and signage where density and presence are advantages. It can work in subheads and tight layouts that need strong emphasis, though extended text will feel forceful due to the compact counters and heavy overall color.
The overall tone is bold and utilitarian, with an industrial, poster-like confidence. Its compressed proportions and squared-round shaping read as contemporary and muscular, leaning toward sports, signage, and high-impact branding.
The design appears intended to deliver maximum visual impact in limited horizontal space, combining condensed proportions with squared-round forms for a contemporary, engineered look. It prioritizes uniformity and punchy texture to hold up in display sizes and attention-grabbing applications.
The narrow apertures and compact counters create a dark color on the line, especially in the sample text, where the type forms an even, emphatic block. Round letters like O and C retain a superelliptical feel, while diagonals and verticals stay rigid and disciplined, reinforcing a technical, constructed character.