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Free for Commercial Use

Serif Other Umpe 9 is a very bold, normal width, low contrast, upright, tall x-height font visually similar to 'Hudson NY Pro' by Arkitype, 'Jawbreak' by BoxTube Labs, 'Kolesom' by Frantic Disorder, 'Gridiron Glory' by Hipfonts, 'Evanston Alehouse' by Kimmy Design, 'Hockeynight Sans' by XTOPH, and 'Alterous Display' by ZetDesign (names referenced only for comparison).

Keywords: headlines, posters, logotypes, packaging, signage, western, rugged, vintage, bold, impact, heritage, character, wedge serif, flared, tapered, blunt, poster.


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A compact, heavyweight serif with pronounced wedge-like terminals and flared strokes that create a carved, chiseled feel. The letterforms rely on broad, low-contrast strokes with sharp chamfered corners, small notches, and clipped joins that add texture without introducing delicate hairlines. Counters are generally tight and squared-off, with sturdy apertures and a strong vertical stance; the lowercase shows a tall x-height and short extenders, keeping the silhouette blocky and dense. Numerals match the same blunt, angular construction for consistent impact in display settings.

Best suited to high-impact display work such as posters, headlines, branding marks, and packaging where a rugged, vintage voice is desired. It also performs well for short callouts and signage that benefit from a dense, attention-grabbing texture.

The overall tone is frontier and utilitarian, evoking old posters, stamped signage, and bold print ephemera. Its aggressive corners and flared terminals read as tough and assertive, giving headlines a confident, slightly nostalgic attitude.

The font appears designed to deliver maximum punch with a decorative serif construction that references traditional wood-type and Western-inspired lettering. Its flared terminals and chiseled corners prioritize personality and presence over quiet text neutrality.

The design maintains a consistent rhythm across caps, lowercase, and figures, with distinctive cut-ins and wedge terminals doing most of the stylistic work. At smaller sizes the tight counters and heavy color can merge, while at larger sizes the angular details become a prominent graphic feature.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸