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Sans Normal Mili 13 is a very bold, wide, low contrast, upright, normal x-height font.

Keywords: headlines, posters, branding, packaging, signage, playful, chunky, friendly, retro, punchy, impact, approachability, retro flavor, display clarity, brand presence, rounded, soft corners, geometric, compact counters, heavy terminals.


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This typeface uses hefty, geometric letterforms with broadly rounded outer curves and softened corners, creating a compact, blocky silhouette. Strokes are consistently thick with minimal modulation, and many counters are small and circular or oval, emphasizing a dense, poster-like texture. Joins and terminals tend to be blunt and squared-off, while bowls and shoulders stay generously curved, producing a strong mix of rectilinear structure and rounded mass. The lowercase follows the same heavy construction with a single-storey a and g, and the numerals are stout and highly simplified for impact.

It performs best in display contexts such as headlines, posters, packaging, and bold brand marks where its dense shapes and rounded geometry can carry visual presence. It can also work for short UI labels or signage that needs immediate impact, but is less suited to small-size body text due to its compact counters and dark overall texture.

The overall tone is bold and approachable, with a playful, slightly retro feel reminiscent of mid-century display lettering and pop graphics. Its chunky forms read as confident and energetic rather than technical, lending a casual friendliness even at large sizes.

The font appears designed to deliver maximum visual weight and immediacy through simplified, geometric forms and rounded massing, prioritizing bold readability and character over typographic delicacy. Its construction suggests an intention to evoke a friendly, retro-leaning display voice suitable for attention-first messaging.

The design creates a dark, even typographic color in text settings, with tight interior space (counters) that can visually close up as size decreases. The distinct, simplified shapes make it especially attention-grabbing in short bursts, while long paragraphs appear intentionally heavy and headline-driven.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸