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Sans Superellipse Felud 10 is a very bold, very narrow, low contrast, italic, normal x-height font visually similar to 'Acumin' by Adobe, 'Fairweather' by Dharma Type, 'Armetica' by Hsan Fonts, 'Uniform Italic' by Miller Type Foundry, 'Opinion Pro' by Mint Type, 'Interlaken' by ROHH, and 'Chairdrobe' by XTOPH (names referenced only for comparison).

Keywords: headlines, posters, branding, sportswear, packaging, sporty, urgent, modern, loud, punchy, impact, speed, space-saving, modernity, emphasis, compressed, slanted, rounded, blocky, compact.


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This typeface is a tightly condensed, heavily weighted italic sans with a compact footprint and strong forward slant. Strokes are broadly uniform with minimal modulation, and terminals are cleanly cut, creating a sturdy, poster-like silhouette. Curved letters and counters read as rounded rectangles/superelliptical forms, keeping bowls and apertures smooth and controlled rather than geometric circles. Spacing is economical and the rhythm is dense, emphasizing verticality and speed while maintaining consistent, blunt shaping across caps, lowercase, and figures.

Best suited to high-impact display applications such as headlines, large-format advertising, sports and performance branding, packaging callouts, and short, emphatic UI labels. It works especially well where a condensed, slanted voice helps fit more characters into limited horizontal space while keeping a bold, attention-grabbing presence.

The overall tone is fast, forceful, and contemporary, with a strong sense of motion from the pronounced oblique angle and compressed width. Its heavy color and compact shapes convey urgency and impact, leaning toward an athletic and promotional voice rather than a quiet editorial one.

The design appears aimed at delivering maximum visual impact in a narrow measure, combining a strong italic lean with compact, rounded-rectangular construction. The consistent stroke weight and controlled superelliptical curves suggest an intention to stay clean and modern while projecting speed and intensity.

Uppercase forms feel tall and streamlined, while the lowercase maintains compact proportions with sturdy, simplified joins. Numerals match the same condensed, slanted stance and heavy color, making mixed alphanumeric settings feel cohesive. The italic angle is a defining feature, so the face reads most naturally when used as a display style rather than as a subtle emphasis.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸