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Slab Square Sake 12 is a bold, wide, low contrast, upright, normal x-height font visually similar to 'APN Ggantija' by Alphabets Patrick Nell, 'Goodall' by Colophon Foundry, 'Fried Chicken' by FontMesa, 'Equip Slab' by Hoftype, and 'Justus Pro' by URW Type Foundry (names referenced only for comparison).

Keywords: headlines, posters, packaging, signage, logos, industrial, editorial, western, collegiate, retro, impact, authority, heritage, branding, blocky, sturdy, bracketed, high-waisted, compact.


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A heavy, block-forward slab serif with sturdy rectangular stems and broad, squared shoulders. Serifs are thick and mostly flat-ended, with subtle bracketing that softens joins without reducing the overall rigidity. Counters tend to be compact and round-to-oval, while apertures are relatively tight, giving the face a dense, ink-trap-free mass and strong silhouette. Lowercase forms read robust and workmanlike, with a high-waisted feel in letters like a, e, and s; the numerals are equally weighty and geometric, built to hold up in large, dark settings.

Best suited to headlines, posters, and short editorial bursts where a dense, authoritative texture is desirable. It also fits branding applications like logos, packaging, and labels, plus signage that benefits from a strong slabbed silhouette. For longer reading, it will perform better with generous size and leading to counteract its dark, compact color.

The tone is assertive and old-school: part newspaper headline, part workwear label, with a faint western/collegiate flavor from the pronounced slabs and chunky proportions. It feels confident, dependable, and attention-grabbing rather than delicate or refined.

The design appears intended to deliver maximum impact with a sturdy slab-serif structure and a controlled, rectangular finish. Its compact counters and strong terminals prioritize visibility and a confident voice in display typography and bold branding contexts.

The overall rhythm is emphatic and poster-like, with consistent stroke weight and clear, squared terminals that keep texture uniform across lines. At smaller sizes the tight apertures and heavy joins may darken quickly, while at display sizes the compact counters and strong serifs become a defining feature.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸