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Free for Commercial Use

Sans Normal Akrad 11 is a bold, normal width, monoline, upright, normal x-height font visually similar to 'Giriton' by Hazztype, 'Axiforma' by Monotype, 'Madani' and 'Madani Arabic' by NamelaType, 'Core Sans C' by S-Core, and 'Causten' and 'Causten Round' by Trustha (names referenced only for comparison).

Keywords: headlines, branding, posters, signage, ui labels, modern, confident, friendly, clean, neutral, clarity, impact, versatility, modernity, approachability, geometric, rounded, high contrast counters, tight joins, large apertures.


Free for commercial use
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This typeface is a heavy, geometric sans with smooth circular curves and crisp, straight terminals. Curves read as near-perfect rounds (notably in O/C/G), while verticals and horizontals stay steady and consistent, giving the letterforms a solid, even rhythm. Proportions feel balanced and compact with broad bowls and generous counters; the lowercase has a straightforward, single‑storey a and g, and the overall construction favors clarity over calligraphic nuance. Numerals are sturdy and simplified, matching the letters’ round/straight geometry and maintaining strong legibility at display sizes.

It performs best in headlines, logos, packaging, and poster work where bold, geometric forms can carry the visual identity. The clean shapes and open counters also make it useful for signage and short UI labels that need to remain clear at a range of sizes.

The overall tone is contemporary and self-assured, with a friendly, approachable softness coming from the rounded geometry. It feels straightforward and no-nonsense, suited to communicative, modern branding where clarity and impact matter more than decoration.

The design intent appears to be a versatile geometric sans that delivers strong presence with minimal stylistic noise. It aims for broad usability across modern communication, combining high-impact weight with friendly roundness and dependable readability.

Round letters maintain consistent curvature and weight, while diagonals (V/W/X/Y) are sharp and stable, creating a pleasing contrast between circular and angular forms. Spacing in the sample text appears comfortably open for a heavy style, helping large blocks of copy stay readable.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸