Sans Normal Tyluv 14 is a very bold, wide, medium contrast, upright, normal x-height font visually similar to 'Astoria Sans' by Alan Meeks, 'Proza' by Bureau Roffa, 'City Boys' and 'City Boys Soft' by Dharma Type, 'FS Blake' by Fontsmith, 'Impara' by Hoftype, 'Telder HT Pro' by Huerta Tipográfica, and 'Portilla Rounded Bold Sans Font' by Maulana Creative (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, signage, friendly, confident, playful, retro, punchy, impact, approachability, clarity, display use, brand voice, blocky, rounded, soft corners, open apertures, compact joins.
This typeface is a heavy, rounded sans with broad proportions and a compact, sturdy build. Strokes are consistently thick with gently softened corners and rounded terminals that keep the forms from feeling harsh. Counters are relatively small but remain readable, and many letters use simplified, geometric construction with slightly squared-off curves, creating a blocky-yet-friendly silhouette. The lowercase shows single-storey forms where expected (notably the “a”), and the overall spacing reads comfortable for such a dense weight, with clear separation between letters in text.
Best suited for large-size applications where impact and friendliness are key: headlines, posters, packaging, and bold brand marks. It also works well for short UI labels or signage when you want a warm, high-contrast-on-background presence, though extended body text may feel heavy due to the dense stroke and compact counters.
The tone is upbeat and approachable, with a bold presence that feels modern yet slightly retro. Its softened geometry and chunky rhythm give it a playful, energetic voice suited to attention-grabbing typography rather than quiet, editorial nuance.
The design appears intended to deliver maximum visual punch while maintaining an approachable, rounded personality. Its simplified geometry and consistent thickness suggest a focus on clarity at display sizes and a cohesive, contemporary branding toolkit.
Round characters like O/C/G and 0 are drawn with a wide, robust bowl, while diagonals (V/W/X/Y) keep a solid, wedge-like heft. The figures are similarly weighty and straightforward, matching the letters closely for cohesive headline setting.