Font Hero

Free for Commercial Use

Sans Other Akha 2 is a very bold, wide, low contrast, upright, normal x-height font visually similar to 'Panton Rust' by Fontfabric and 'Krupkrop' by Jipatype (names referenced only for comparison).

Keywords: posters, headlines, logos, packaging, signage, stencil-cut, industrial, playful, posterish, retro, attention-grabbing, hand-cut feel, thematic display, texture-forward, angular, chunky, faceted, irregular, blocky.


Free for commercial use
Customize the font name

A heavy, faceted display sans with angular, chiseled contours and slightly irregular geometry. Strokes are largely monolinear, with corners frequently clipped into wedge-like terminals and counters formed as polygonal cut-ins rather than smooth bowls. The rhythm is lively and uneven: widths vary noticeably from glyph to glyph, and many letters show deliberate asymmetries that create a hand-cut, sign-painted feel. Diagonals are robust and blunt, apertures tend to be tight, and the numerals echo the same blocky, notched construction for a cohesive set.

Best for short, high-impact settings such as posters, headlines, branding marks, packaging callouts, and event or venue signage where its cut, faceted forms can be appreciated. It can also work for themed graphics (games, horror-lite, retro, DIY/industrial concepts) where character is more important than extended readability.

The overall tone reads bold and attention-seeking, with a rough-cut, industrial energy that also feels mischievous and cartoonish. Its jagged edges and inconsistent angles suggest DIY craft, punk poster culture, or theatrical “cutout” lettering rather than neutral corporate modernism.

The design appears intended to deliver a bold display voice using angular cutoffs and polygonal counters to mimic hand-cut stencils or carved lettering. Its intentionally uneven widths and quirky shapes prioritize personality and texture over strict typographic regularity.

In the text sample, the dense color and tight interior spaces make it best suited to larger sizes; at smaller sizes the angular notches and small counters may visually fill in. The distinctive, choppy silhouette creates strong word shapes, but the quirky per-glyph irregularities can dominate in long passages.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸