Print Hadab 2 is a regular weight, normal width, low contrast, upright, normal x-height font visually similar to 'Swiss 721' by Bitstream; 'Newhouse DT' by DTP Types; 'Neue Helvetica eText' by Linotype; 'Arial' and 'Helvetica Now' by Monotype; 'Europa Grotesk No. 2 SH' by Scangraphic Digital Type Collection; and 'Nimbus Sans L', 'Nimbus Sans Round', and 'Nimbus Sans Thai' by URW Type Foundry (names referenced only for comparison).
Keywords: kids branding, packaging, posters, headlines, social graphics, playful, casual, friendly, handmade, quirky, handmade feel, approachability, playful display, casual readability, rounded, chunky, soft, wonky, cartoonish.
A hand-drawn print style with thick, monoline strokes and softly rounded corners. Shapes are slightly irregular with subtle wobble in stems and bowls, creating an organic, marker-like texture rather than geometric precision. Counters are generous and mostly open, and terminals tend to blunt out rather than taper, keeping the color dark and even. Proportions vary from glyph to glyph, with slightly uneven widths and lively curves that emphasize a sketched, informal rhythm.
Best suited to short to medium-length text where personality matters—such as kids-oriented branding, playful packaging, posters, social graphics, and casual headlines. It can also work for invitations, menus, or craft-related labels where a friendly, hand-drawn presence is desirable.
The overall tone is warm, approachable, and a bit mischievous—more like quick hand lettering than polished typography. Its irregularities read as intentionally human and relaxed, giving text a personable, conversational feel.
Designed to simulate informal hand lettering with a bold, easy-to-read silhouette and visible human variation. The intent appears to be approachable display typography that adds charm and spontaneity without sacrificing clarity.
Uppercase forms are simple and bold with minimal detailing, while lowercase maintains the same chunky stroke and rounded construction for consistent texture. Numerals match the letterforms with similarly soft corners and hand-made modulation, helping mixed text feel cohesive.