Sans Normal Obgad 3 is a very bold, wide, low contrast, upright, tall x-height font visually similar to 'Pluto Sans' by HVD Fonts, 'Epoca Pro' by Hoftype, 'Famiar' by Mans Greback, 'Acto' by Monotype, and 'Scatio' by Wahyu and Sani Co. (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, signage, bold, friendly, modern, playful, assertive, impact, approachability, clarity, display emphasis, modern branding, chunky, geometric, rounded, compact, high impact.
A heavy, geometric sans with broad proportions and large internal counters. Strokes are consistently thick with minimal modulation, producing strong, even color in text. Round letters (O, C, G) are built from near-circular forms, while corners and joins are slightly softened, avoiding a sharp, technical feel. The lowercase features a tall x-height with short ascenders/descenders, and the overall spacing and proportions favor dense, blocky word shapes that stay highly legible at display sizes.
Best suited to large-size applications such as headlines, posters, brand marks, packaging, and signage where bold presence and quick readability matter. It also works well for short UI labels or callouts that need high emphasis, but should be used more sparingly for extended body text because of its dense texture.
The overall tone is confident and contemporary, with a friendly, approachable softness despite its weight. It reads as upbeat and attention-grabbing, suited to messaging that wants to feel direct, energetic, and accessible rather than formal or delicate.
The design appears intended to deliver maximum impact with simple, geometric letterforms and a warm, rounded finish. It prioritizes clarity and punch in display contexts, offering a contemporary, approachable voice that remains highly readable at a glance.
The numerals and caps share the same sturdy, rounded construction, helping headlines feel cohesive across mixed-case and number-heavy settings. The heavy weight and broad forms create strong silhouette recognition, especially in short words and punchy phrases, while long paragraphs may feel visually dense due to the sustained stroke thickness.