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Free for Commercial Use

Sans Normal Yimis 7 is a very bold, normal width, high contrast, upright, normal x-height font visually similar to 'Chamelton' by Alex Khoroshok, 'Organetto' by Latinotype, 'Epilepsja Round' by Mikołaj Grabowski, and 'Bulltoad' by Typodermic (names referenced only for comparison).

Keywords: posters, headlines, packaging, stickers, album covers, grunge, handmade, rugged, playful, streetwise, distressed display, analog texture, diy print, attention grab, rough edge, distressed, chunky, blunt, irregular.


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A heavy, compact sans with chunky strokes and visibly roughened contours. Letterforms are built from broad, rounded shapes with blunt terminals, but the outlines are intentionally uneven, creating a worn, stamped or ink-pressed feel. Counters are relatively tight and often slightly irregular, and curves show small flats and nicks that keep the texture lively. Spacing and widths vary modestly across glyphs, adding an organic rhythm while maintaining a solid, blocky silhouette in text.

Well-suited to posters, headlines, and short punchy statements where the distressed silhouette can do visual work. It also fits packaging, labels, stickers, and merchandise that benefit from a bold, tactile, screen-printed impression. For longer copy, it is most effective as a supporting accent rather than the primary text face.

The overall tone is gritty and handmade, with a casual, rebellious energy. The distressed edges and bold mass suggest DIY printing, zines, posters, and street graphics, while the rounded construction keeps it approachable rather than aggressive. It reads as playful-but-rough, with an intentionally imperfect, analog character.

The design appears intended to deliver a bold sans foundation with deliberately rough, analog texture—evoking worn ink, stamped lettering, or cut-paper shapes. Its goal is less about pristine neutrality and more about creating an immediate, handmade presence that holds attention at display sizes.

At display sizes the texture is a key feature, with the ragged perimeter creating strong contrast against light backgrounds. In longer lines, the dense color and small counters can make the texture dominate, so it tends to feel best when given room to breathe (larger sizes, shorter phrases, or increased tracking). The numerals follow the same sturdy, irregular construction, matching the headline voice.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸