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Free for Commercial Use

Wacky Luza 3 is a very bold, very wide, low contrast, upright, short x-height font.

Keywords: posters, headlines, logos, game ui, album art, playful, chaotic, comic, tribal, punk, attention grab, expressiveness, diy texture, quirky branding, thematic display, jagged, spiky, chiseled, inked, irregular.


Free for commercial use
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A heavy, irregular display face with chunky, wedge-like strokes and pronounced triangular terminals. Forms are deliberately uneven, with variable stroke lengths and subtle waviness that creates a hand-cut, chiseled silhouette rather than smooth curves. Counters tend to be small and often squared-off, while horizontals frequently flare into tapered blades, giving the alphabet a rugged, carved rhythm. Spacing appears inconsistent by design, contributing to a lively, collage-like texture in words and lines.

Best used for short display settings such as posters, titles, packaging callouts, and logo wordmarks where its rough, spiky character can carry the composition. It can also work for playful entertainment contexts—game interfaces, event flyers, or album/track art—especially at larger sizes where the distinctive terminals and counters remain clear. For longer passages, it’s more effective as a sparing accent than as a primary text face.

The overall tone is mischievous and unruly, mixing a comic, DIY energy with a vaguely primal or totemic edge. Its sharp terminals and distorted geometry feel expressive and loud, suggesting playful danger rather than refinement. The font reads as intentionally oddball and attention-seeking, suited to moments where personality matters more than neutrality.

The design appears intended to deliver a one-off, expressive voice through exaggerated weight, jagged terminals, and intentionally imperfect construction. By prioritizing silhouette and texture over regularity, it aims to create an immediate, stylized impact that feels handmade and unconventional.

In text, the strong, dark massing creates high visual impact, while the irregularities can make extended reading feel busy. The numerals and lowercase maintain the same jagged logic, keeping the voice consistent across mixed-case settings. The most recognizable features are the blade-like serifs/ends and the squarish, compressed counters that give many letters a boxed-in look.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸