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Free for Commercial Use

Stencil Kipo 3 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Innova' by Durotype, 'Corelia' by Hurufatfont, 'Passenger Sans' by Indian Type Foundry, 'Inerta' by Mint Type, 'Moneis' by RantauType, 'Crique Grotesk' by Stawix, and 'Mundial Narrow' by TipoType (names referenced only for comparison).

Keywords: posters, headlines, branding, packaging, signage, industrial, military, utilitarian, rugged, retro, stencil effect, industrial tone, high impact, labeling aesthetic, geometric, blocky, hard-edged, all-caps friendly.


Free for commercial use
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A heavy, geometric display face built from broad, uniform strokes and crisp, hard edges. Forms are cut with clear stencil bridges that create vertical and occasional horizontal breaks through counters and joints, producing a segmented look while keeping letter silhouettes highly legible. Curves are largely circular/oval and simplified, with squared terminals and minimal modulation; spacing and rhythm feel compact and sturdy, with straightforward proportions and a consistent, engineered structure across caps, lowercase, and numerals.

Best suited to impactful display work such as posters, headlines, brand marks, packaging, and signage where a stenciled, industrial voice is desired. It will also work well for labels and UI title treatments when used at sufficiently large sizes to preserve the clarity of the bridges and internal cut-ins.

The overall tone is utilitarian and industrial, evoking stenciled labeling and durable equipment markings. Its blunt geometry and deliberate breaks add a rugged, tactical feel that reads as confident, no-nonsense, and slightly retro in a sign-paint/warehouse way.

Likely designed to translate the practical logic of stencil lettering into a bold, contemporary display font: strong silhouettes, minimal stroke variation, and consistent bridges that maintain readability while adding distinctive texture.

The stencil interruptions are prominent enough to become a defining texture, especially in round letters and numerals where the bridges split counters into distinct segments. The heavy weight and simplified joins favor large sizes, where the internal gaps read as intentional detailing rather than noise.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸