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Free for Commercial Use

Serif Humanist Inty 8 is a bold, normal width, high contrast, upright, normal x-height font.

Keywords: headlines, posters, book covers, editorial, packaging, vintage, bookish, rustic, hand-inked, traditional, heritage feel, print texture, handmade tone, display impact, literary mood, roughened, ink-trap, textured, bracketed, wedge-serif.


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A dark, ink-forward serif with noticeably roughened contours and softly irregular stroke edges, giving the letterforms a printed-from-type or hand-inked feel. Strokes show clear modulation, with weight swelling through curves and tapering into sharp, wedge-like terminals; serifs are bracketed and often slightly asymmetrical. Proportions are compact and sturdy, with moderate counters and a steady vertical stance, while the texture adds lively rhythm and a subtly uneven baseline color in text. Numerals and capitals share the same rugged detailing, maintaining a cohesive, distressed impression without collapsing legibility.

Works well for headlines and display copy where the textured, traditional voice can be a primary design feature—book covers, editorial openers, posters, and heritage-flavored packaging. It can also serve for short text blocks or pull quotes when a deliberately rough, vintage texture is desired, especially at sizes large enough for the edge detail to read cleanly.

The texture and calligraphic modulation evoke an old-world, archival tone—literary, craft-oriented, and slightly rugged. It reads as historical and tactile rather than polished, suggesting warmth and authenticity with a hint of frontier or workshop character.

The design appears intended to blend old-style serif structure with an intentionally weathered, inked surface, delivering a historically inflected look that feels printed and tactile rather than digitally pristine. It prioritizes character and atmosphere while keeping familiar serif forms for recognizable reading patterns.

In continuous text the distressed edges create a strong, mottled color, so spacing and word shapes remain clear but the overall impression is intentionally coarse. The capital forms have a commanding, poster-like presence, while the lowercase keeps a sturdy, readable rhythm suited to short passages.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸